In a previous video, we discussed learning the various major triads by playing them through the cycles of 4ths and 5ths. In this lesson, we will learn some ways to use these triads to build more complex chords.
Improvisation is the spontaneous creation of music. Depending on the style, there will be various guidelines and boundaries that define what will work, but in all these situations, there are three skills that need to be in balance. All of these can be improved using organized practice methods, as we discussed in this post.
Cycle of 4ths
Here is a lesson on practicing major triads through the cycle of 4ths. The pattern of chords ascending by perfect 4ths (two whole-steps and one half-step) is fundamental to tonal harmony, and is sometimes called “strong root motion.” Practicing these patterns helps us learn to find these chords in all 12 keys, and in an order they often appear.
One of the biggest challenges of keyboard technique is independence between the hands. This is especially true if there is any improvisation involved, since this prevents us from memorizing a passage by rote.
Myths and Misinformation
There are some misconceptions about independence that can prevent us from succeeding in our goals; moving beyond them can allow us to get the ball rolling with two-handed playing.
Here are four short excerpts from my upcoming CD “Fromage.” It is comprised of jazz arrangements of songs usually considered too “cheesy” to be considered “standards.”
The musicians: Piano/arranger: Randy Hoexter Bass: Jimmy Haslip Drums: Tom Knight/Dave Weckl Guitar: Trey Wright Saxophones, flute, bass clarinet: Sam Skelton Trumpet: Mike Barry Trumpet/Flugelhorn: Gordon Vernick Trombone: Eric Alexander Congas, Djembe, Cajon: Kit Chatham Triangle, Shaker: Eric Sanders
See if you can identify these gems of 70s AM pop radio!
